He has a gun and it occurs to him that he could shoot or not shoot and that it would come to the same thing Meursault has no reason to kill the Arab, nor does he construct one. When this vitality is appreciate, one feels free — for there is no urgency to perform some act that will cancel the possibility of death, seeing as though there is no such act.
Why sentenced by a French court rather than a Chinese one? The loss of a life would have no significance — no affect on life as a whole; and the universe itself is apparently totally indifferent to everything. In this connection, it must be admitted that he is externally very sensitive and aware, despite his lack of self-understanding and emotional response.
He is especially sensitive to natural beauty — the beach, the glistening water, the shade, the reed music, swimming, making love to Marie, the evening hour he like so much, etc.
When she asks, he tells Marie that he probably does not love her, and he answers her questions about marriage with similar indifference. He realizes that he always been happy. Because of death, nothing matters — except being alive. Here he implicitly denies the existence of God, and thus denies morality, as well as the "external" meaning if it may be so distinguished from the internal or individual existential meaning of life and death.
His action is completely random and purposeless. The novel is a first-person account of the life of M. He even says that if forced to live in a hollow tree truck, he would be content to watch the sky, passing birds, and clouds Whereas Raymond is active and possesses a violent temper, Meursault is passive and always calm.
To try to distract himself from these thoughts, he forces himself to study the sky or to listen to the beating of his heart — but the changing light reminds him of the passing of time towards dawn, and he cannot imagine his heart ever stopping. In dwelling on the chance of an appeal, he is forced to consider the possibility of denial and thus of execution; therefore, he must face the fact of his death — whether it comes now or later.
Death marks all things equal, and equally absurd. However, Raymond holds genuine feelings for his mistress and is truly hurt when he learns that she is cheating on him. Stuart Gilbert New York: Despite their differences, Meursault and Raymond hold similar positions in relation to society.
But this awareness is somehow never intense enough to involve self-awareness — that is, he never reflects on the meaning of death for him — until he is in prison awaiting execution.
How are the two neighbors different?
Albert Camus, The Stranger, trans. Meursault kills one of the Arabs in a moment of confusion, partially out of self-defense, but does not regret it eve though it means going to prison and, ultimately, being executed.
In fact, he chooses not to dwell on the matter but goes to sleep instead He describes little about their interaction other than their physical contact.
The hope of longer life brings Meursault great joy. In a sense, Meursault is always aware of the meaninglessness of all endeavors in the face of death: Fiction of the Absurd: And death itself is absurd in the sense that reason or the rational mind cannot deal with it: This latter, existential meaning is later affirmed, as we shall see.
In this sense, all human activity is absurd, and the real freedom is to be aware of life in its actually and totally, of its beauty and its pain. Raymond treats his mistress cruelly, beating and abusing her, while Meursault does not seem capable of such behavior toward women.
A thoughtful and carefully constructed paper. His rush of anger cleanses him and empties him of hope, thus allowing him finally to open up -- completely and for the last time -- to the "benign indifference of the universe" The emotional aspects of their relationship are clearly secondary to Meursault.
Camus seems to use the extent to which each character accepts or attempts to defy the irrationality of the universe as a signal of his or her personal worth.In his novel The Stranger 1, Albert Camus gives expression to his philosophy of the absurd. Before his trial, Meursault passes the time in prison by sleeping, by reading over and over the newspaper story about the (unrelated) murder of a Czech, and by recreating a mental picture of his room at home in complete detail, down to the scratches.
The Stranger by Albert Camus: Characterization and Techniques in the Novel Essay Michael Boulos Anton Pav I.B English 1 28/04/14 Characterization and techniques of hard-boiled fiction in The Stranger “Maman died today.
We will write a custom essay sample on Mersault and His Trial in Albert Camus’s “The Stranger” specifically for you for only $ $/page. Suggested Essay Topics; Study Questions. 1. How do we know the world of The Stranger is irrational?
How do different characters react to this irrationality? A third inexplicable occurrence is the scheduling of Meursault’s trial just before the trial of a son who killed his father.
The prosecutor argues that Meursault’s crime opened. "The Stranger" - Meursault's Trial Essay Words 5 Pages After only a few days of trial, the jury in The Stranger declares that the main character, Meursault, is to. Get an answer for 'In Albert Camus's The Stranger, what is Meursault actually on trial for; his actions or his eccentric character?
' and find homework help for other The Stranger questions at eNotes.Download