Build in symbols to make your plot, setting and characters a seamless trinity. The stakes are raised, choices are limited and failure and loss are inevitable. Sooner or later, the basic structure will begin to fall apart. How can you make it so real that your reader will believe the place actually exists?
Vaguely defined conflicts usually lead to the reader putting down a book for good.
The first layer of a story is created when you plan for and lay the foundation. Multiple goals collide and impact the characters, forcing tough choices.
Readers go crazy for a rough and raw, imperfect hero with more baggage of the emotional kind than a pampered socialite. A character notices the things in his setting that are important to him at the moment. Starting with focused action and back story is the best way to do it.
How will this setting create the stage for conflict and suspense? In the best-case scenario, his skills will connect to both in some way. Very few characters will notice every detail of their surroundings.
Just about everything hinges on these interests, hobbies or jobs. This something may not be revealed until later, when his quality is tested.
Even if your story is more plot than character oriented, brainstorming on your characters until you can fully envision them—i.
It can also be a hobby or vice, or a disability or disfigurement, such as a scar. In some instances, a loved one is in jeopardy, or something the character wants, needs or desires above all is at risk of being lost. This is optional for secondary and minor characters.
Goals must be urgent enough for the character to go through hardship and self-sacrifice. Enhancements are the subtle, balanced or extreme elements that complement what the writer has already established as traits for that character. Finally, the end spark resolves the conflict and situation.
In your quest to form a cohesive story plan, sit down and figure out the working details which may—and should—evolve throughout the progression of the story. Describe your setting in such a way that it not only becomes evident how the characters and plot fit there, but super-charges your whole story.
For now, list all the genres this story could fit into. Short stories, flash fiction and novellas usually have only one or two sparks beginning and ending.
Most stories spark with a character who may end up becoming your main character. The happily married accountant with 2. A story spark is something intriguing that ignites a story scenario and carries it along toward fruition.
Because he cares deeply about the outcome, his anxiety is doubled. The intensity of his anxiety pressures him to make choices and changes, thereby creating worry and awe in the reader. Character growth throughout the story is key to a satisfactory resolution.
What if Moby Dick, instead of being set at sea, had been set in, say, a lighthouse? In general, extra sparks should come in the beginning or middle of the book.
Although this kind of description can include physical appearances, it should always incorporate impressions made by your characters upon the ones around them. The beginning spark sets up the conflict.
A story spark must infuse and re-infuse the story, and a new one must be injected at certain points in order to support the length and complexity of the story.
The character wants to restore the stability that was taken from him by the external conflict, and this produces his desire to act. With that in mind, a story of more than 75, words may have an excess of three basic sparks, especially in the middle, because a longer story needs complexity to sustain it.
Plot conflicts must be so urgent as to require immediate attention. In this section of the checklist, simply list the names of the main characters. Or you can simply fill in the blanks—whichever works best for you: The audience must be able to identify with both the internal and external conflicts the character faces in order to be involved enough to care about the outcome.
In essence, these are like mini first-person profiles. Or your summary can simply encompass the most basic impressions without ascribing them to the person offering them.Apr 20, · Download Story Planner for Writers and enjoy it on your iPhone, iPad, and iPod touch. The outline is one of the most powerful weapons for a writer.
Now you can easily outline your stories wherever you are thanks to Story Planner, the best story-mapping and organizational stories tool ever/5(). The outline is one of the most powerful weapons for a writer. Now you can easily outline your stories wherever you are thanks to Story Planner, the best story-mapping and organizational stories tool ever/5().
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This will tell you all the tips you need to write a great story! Brainstorm. Think of a story that will have an impact on the audience. For 70%(66). Turn your dream novel into a reality by using this Story Plan Checklist.
14 thoughts on “ Your Novel Blueprint ” It’s all about finding the write writing technique so that you can create your story. For some people, they means writing on a schedule or writing a certain amount of words a day.
For me, I find writing on a deadline.Download